William Kentridge

Artist

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"My drawings don't start with a 'beautiful mark'," says South African born Kentridge at the launch of his exhibition Five Themes at ACMI recently. Premiering in Australia after travelling to San Francisco, New York, Paris, Vienna, Jerusalem and Moscow, the exhibition explores five key themes that have captivated Kentridge throughout his career. Kentridge is of expressionist lineage and is perhaps best known for his stop motion films of charcoal drawings, as well as other multi-disciplinary work which includes drawings, prints, sculptures and books. Kentridge's work often traverses the political and social environment of his home country, while exploring the private and personal of the artist at work in his studio. In his animated works in particular, the concepts of time and change appear as major themes. He conveys it through his erasure technique, which contrasts with conventional cel-shaded animation. Traces of what has been erased are still visible to the viewer; as the films unfold, a sense of fading memory or the passing of time and the traces it leaves behind are portrayed. In Five Themes Kentridge grapples with what is not said, what remains suppressed or forgotten but can easily be felt.

William Kentridge: Five Themes
Australian Centre For The Moving Image (ACMI)
8 March - 27 May 2012

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Karel Martens

Designer

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Karel Martens is a Dutch designer and teacher. As a graduate of the prestigious Arnhem School of Art, Martens’ unique style came to international prominence through his excellence working over a diverse range of design projects including postage stamps, books, phone cards, typographic facades of buildings and more. Inframe TV caught up with Martens on his recent trip to Melbourne to open the exhibition Karel Martens OASE at the Monash University Art & Design Faculty Gallery. The exhibition focused on Martens’ 25-year contribution to the independent journal for architecture OASE. Much of the success of OASE is due to Martens' refined graphic statements, often incorporating his print and typographic experiments seamlessly into the publication, while engaging readers in a unique dialogue between graphic design and architecture.

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Piero Gandini / Ron Gilad

CEO / Designer Flos

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Italian manufacturing is famous for being family owned and design lead. Flos is no exception to this rule. Piero Gandini leads the Flos company by respecting the past and having a highly positive, expansive view of what building on the shoulders of their mid 20th C catalogue of classic lights should look like. This first of four films focusing on Flos has the new Soft Architecture range as its focus but also looks more broadly at how Piero collaborates with designers, what kind of creativity he searches for when beginning a design development process. Gandini states that ‘Achilles Castiglioni is the designer who built Flos and Philippe Starck is the man who opened the doors to the public.’ What this interview reveals that is similar to the Chris Bangle interview is that Gandini is an excellent design leader. Gandini understands that all kinds (artistic introverts like Ron Gilad and playful materiality wizards like Starck) of creative talent are required to deliver interesting outcomes. What was most impressive about listening to Gandini’s design development methodologies was that although he is clearly an extremely fast moving executive he appreciates and encourages the slow process of establishing a creative synergy with young or experienced designers.

The Gandini interview was conducted at the Euroluce showroom Sydney at their launch of Soft Architecture in Australia. The remaining four films (Ron Gilad, Patricia Urquiola, Paul Cocksedge & Anna Zegna) will be released as part of a set to give an insight into each individual practice and how this intersects with Flos.

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Tiffany Chung

Artist

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Tiffany Chung is fascinated by the uncharted narratives surrounding historical events. Using maps as her investigative vehicle, her works document a journey into cultural memory and imagined futures. Combining topographic imagery, traditional handicrafts and sculpture, Chung draws comparisons between social bodies and living organisms. These multi-layered visualisations use cartography as a way of unveiling surreal histories, transgressing the purpose of a map as a purely mechanical instrument.

Chung's earlier works have adopted a unique blend of sculpture, performance, video and photography. Appropriating propaganda and pop-culture imagery, her work deals with phenomenon as diverse as Cosplay through to the tragic atomic bomb blasts to Hiroshima and Nagasaki.

Recently, Chung has turned her cartographic gaze onto local territories to dislodge mediated representations of Vietnam's traumatic past. During childhood, Chung witnessed the flooding of the Mekong Delta in 1978. This early experience shaped her curiosity in floating communities and the fluidity of narratives that surround these landscapes.

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about

InFrame.tv is a documentary based vodcast produced in Melbourne, Australia. We profile and explore original and arresting Australian and international talent working in art, design and culture. Our aim is to provide unprecedented access to the thoughts, insights, and inspirations of people who create.

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